JVC DLA-RS10 and DLA-RS20 is the new JVC models in a long line of D-ILA home theater projector. D-ILA or Direct-Drive Image Light Amplifier is a version of the Micro-JVC LCOS technology. JVC D-ILA home theater 1080p projectors have always had excellent image quality. But remember a few years will recall that the contrast of the former was moderated by competition rules, the cases were boxy and bulky, the fan bruitne was extraordinarily high, andthe cost für the lamp replacement is extreme. These limits are a thing of the past. The RS20 and RS10 to high contrast, deep black color and a beautiful picture purely analog CRT. They come in a glossy black casing, the fan noise is very low, and lamp replacement costs competitive. No less expensive 1080p projectors on the market, but the image quality is Sual paspeut defeat. We look forward to our beidenEditor's Choice Award in price from $ surespectivos4995 and $ 7495th
The differences between the RS20 and RS10
The RS20 and RS10 almost the same appearance from the outside. The real difference between them are:
Contrast. The RS10 is 32,000:1, and the RS20 is a ratio of50,000:1. It is important to note that there is no dynamic iris in both models, so this is not covered by a membrane, which closed in the black scene.
Manual control of aperture. Both models have manual aperture can be opened or closed to regulate the emission of light. RS10iris the three parameters, while the RS20 was sixteen. Then you can set the light output with a high degree of accuracy on the RS20.
Ingres VGA. The RS10 and RS20 is fast Conexiónección identical plates. The only difference is that the RS20 has a VGA input, while the non-RS10.
THX-certified mode. RS10 The RS20 is not.
Color Management System (CMS). RS10 The RS20 is not.
Technical data for JVC RS20 and RS10
ANSI lumens: RS10, 1000, RS20, 900
Contrast (full on / off): RS10, 32,000:1 RS20, 50,000:1
Light Engine: 1920x1200, native 16:9 D-ILA (LCOS) with a 200 W UHP lamp.
Video Compatibility: 1080p/60/50/24, 1080i, 720p, 576p, 576i, 480p, 480th.
Connection Panel: Two HDMI 1.3 ports, a 3-RCA jack, a composite video input, an S-Video, RS-232C, and 12-volt trigger. Moreover, the RS20 can unRTOVGA.
Lensund Distance: 2.0:1 power zoom / focus lens. Plaid 100 "diagonal 16:9 image from 10 to 20 feet.
Lamp life: 2000 hours
Lamp Price: $ 399th
Warranty: Two years.
Job Description
The analog picture quality. Much buzz has circulated on the excellent black and contrast of the RS10 and RS20. And while I wait at this point, if you are on these properties, it is likely that pierdas point. The character derdefiniert the largestte RS10 and RS20 outside fesde the competition is not black and white contrast. And "the pure quality of your analog image. They are not simply that digital projectors, which seems high resolution CRT. Of course, there is no way to discern from a reading of the specifications. But if he RS10 or 20 compared to the most other 1080p competition, is a natural quality that most concorrenzaquesto is diffIcilio from replicating. It is similar to the Difference between the depth of the vinyl and CD audio. This is analogous esquivoNirvana quality in relation to the true grade video is concerned.
And: "This quality, which is one of the analog Editor's Choice Award for both models. If there is no evidence to potential buyers to think about the technical specifications, a side by side and shows against most other projectors RS10RS20 will 1080pt. The picture is softer, more natural and less digital. We are not in the Lage to quantify the difference in the specifications. And yet the images are not necessary because the analog aspect of the image is erased in a single box, reducing the screenshot of the pixels. But if you see that in real life, the quality of the analog picture is obviously higher than most competitors 1080p. For video Phil, this is what it is.
Brightness. The RS10 istVoraussichtlich from 1000 lumens, and the RS20 900th This may seemnot very bright compared to the specifications for the competition in some models, but these projectors have another advantage that can not recognize the data are very bright in the video mode optimized.
In RS10, the game is that the brightest were 915 lumens. But the light of our study shows that 150 heuresquand it was .. Would we be able to test campionecampione a new lamp, it is likely that all of our readings of the Lichts had more than 5% to 10%.
The reading was 915 lumens in dynamic mode, complete with fire in the wide-angle and zoom. In most home theater projectors, go to a movie, before the output mode is reduced to approximately 1 / 3 of its dynamics. However, the RS10, Cinema 1 and 2modes measured 775 lumens. This is not a very dynamic GOCCIA to großenund for most home theater setups darkroom.
The good news is that the RS10 is a series of options toReduce the production of light to a comfortable level. In any case, the transition from normal to low light reduces the brightness by 31%. And move the maximum wide-angle telephoto zoom reduces the maximum brightness of 26%. This is a loss much petitena a 2x zoom. Most 2.0x zoom lenses achieve 40% of derProjektor taking into account the full potential of the maximum telephoto position.
In addition to controlling light with light and adjust the position Zoom of the engine, the RS10 is a manual that you have a better control of the adjustment. Optional settings are: 1, 2 and 3, with 3 open. By moving the opening from 2 cups to 30% moving and 1 failure in 55%. The key is that you can luminositàe what you want, depending on screen size, screen gain, to see the environment and personal preferences.
The same applies for the RS20, with a slight difference. We measure the maximum height ofs light in a dynamic way 839 lumens, and the THX Cinema mode and a brilliant 755-and still less of a difference in the RS10. The RS20 has the same light as the lens and the zoom functions, the RS10. Büel manual does not have the resources to perfezionareiner. Instead of three options, which has 16th You can gradually reduce the light Emessa 2% to 3%, to close click on any opening. Zero is very open, and a minimum of -15. At no 15, wodargames the light yield of 43% to zero, all open positions.
If you do not need the maximum amount of light that can RS10 and RS20 to Princeio, the installation of low-light and / or the opening of an open institution. Then, as the lamp light on his life can not compensate for the opening of transparency and light for the Wiederherstellungten full power. This makes it possible to use the relatively constant illumination of the display on the life ofr lamp.
Contrast. The RS10 is 32,000:1 on / off, and the RS20 is 50,000:1. Àl'éclairage from side to side in the darkness, one can easily notice the difference. RS10 and black contrast is very good, and the RS20 's better. It was measured RS10 Full On / Off-23, 300:1 and 38,000:1 contrast RS20. These are the highest / sVerpfändung the reading we have seen in all the 1080p projectors we have measured. The largest domestic full on / off contrast reading, we measured unitésqualité of the competition was the Epson Pro Cinema 7500, a 18,500:1.
Note that the RS10 and RS20 no dynamic iris. Therefore, the changes to native / off contrast. In comparison with the on / off headlights especificacionesn opposed to competition from non-auto-iris is an apple to apple comparison. This is because car headlights dassein iris, the iris closes automatically when it is lel'image black, or dark,to reduce the emission of light and a black Blacker. The projector is not capable of this level of depth of black in the scene with an average level of light.
The method for measuring the ANSI contrast is another way to put the projector in a potential conflict. This method uses a 16-square board, and the state average LumINOS blancla average of squares of polished black square as a percentatz. It is ideal for the maximum varies between white and black in a scene when the image is 50% black and white 50%, which is obviously not happening.
In our samples, which measures the contrast of the RS10 at 299:1 ANSI and 292:1 in the RS20. These figures indicate a significant increase ANSI contrast to the JVC DLA-RS2, which measured 209:1. But they are more faiblesPrions for reading recovery, we receive from existing LCD projectors with high contrast, which tend to fall in the range from 350:1 to 450:1, or DLP projectors, some closer to 600:1.
There are two problems with the date of this contrast. Firstly, the figures are in conflict, the high contrast LCD and DLP projectors for home theater advantages in ANSI contrast, but all are far from being models of JVC NGATS contrast. It is difficult for the comprador picture that emerges from these Statistikendass.
Secondly, the figures are based on the values of the light youte artificial, abstract and not the real video or film. Full On / Off to the luminanzaosit a white screen at 100% to 100% of the black screen, and compares the values in the ANSI checkerboard, but none of these measures is directly on the average of the typical dynamic image etPas "a film on the screen.
Therefore unaespués to all of our artificial COIch two projectors side by side, the same signal strength, freezing the image in a Vielzchoice of scenes, and the use of one meter for calcolo the true relationship between white and black, as the user sees in real life. The measures are not absolute, because the scenes are not proof of the test with 0 IRE 100 IRE white or black. Given the interesting idea of comparing the two projectors in the typical dynamics of scenes. Ultimately, the most informative measures Änderungenation we have.
As with the JVC RS1 and RS200, the result is remarkable that diFrente a dynamic range and black levels that we have seen. However, the contrast and black, there are no reasons to get the premium dollars of these models. You can use the satisfaction of contrasts and black levels that are half the price of the projectors. Analog is the picture of the characteristics which they differ. The concern about the contrast and black levels, unfortunately, distracts the attention of the consumer. AusricChange htung buy only when the projector is to choose a wine by its alcohol content, without attention to a wine that is more important but less quantifiable attributes of aroma, flavor, body and harmony.
The color saturation and accuracy. The color is very good in standard mode, but some adjustments need to do our best for the calibration vonProben. However, you should not worry. The RS10 and RS20 are sold exclusively through dealers and professional installers lesdes and special services, calibration services. Therefore, you can be sure that they adhere to perfection.
Sharpness. There are gaps in the sharpness of these models. You have all the necessary controls to ensure the sharpness of the images in a more or less acute, depending on your personal GOST.
Pixjúbilo. One of the advantages of LCOS technology is extremely small pixel structure, you get no screen door effect. De1080p resolution, we see very little about this problem with a projector to the normal range. However, the structure of the pixels are less visible RS10/20 that competition in the DLP and LCD models, with the exception of the Panasonic AE3000, because of its good filter screen.
The noise of the fan. Collor recent years, the old D-ILA Projectors hochAls higher power lamps threw a lot of heat and noise of the fan is a big problem. Eachr memory JVC DLA-G15U from the start of this decade, which has a 420-watt Xenon lamp with 1000 hours of life, which cost about $ 700 to replace. Supplement air conditioning is needed to comfortable temperature during the execution of A.
The times have changed. 200-watt UHP lamp utilis in RS10 and RS20 has a duration of 2000 hours and the cost of the SOS is typically tituzione $ 399th This is in line with competitive offerings. ParComparaison LCD 1080p homekino use spotlight 200W to 160W, and generally the use of models, DLP Lamps 250W to 300W.
JVC RS10 Connection Group
Connections. Connectivity is adequate but not exceptional. There are two HDMI 1.3b ports, and each component, composite, S-VIWD and RS-232C .. It is a 12-volt active, many users find it useful to automatically coordinate the activation of a schermo with the power of moteurle projector. Moreover, the RS20 hat a VGA port, not on the RS10.
Problems and limitations.
N the context of interpolation. The only element missing from the RS10 and RS20 is interpolation. Since it is also good in the Panasonic AE3000, we have the ability of these models. This is an issue where people have legitimate differences of opinion. However, the latent Judd motion video at 24 fps is often in the transmission 24pfür us is unacceptable comodesentrelazado objects that contribute to the developmenting capabilities of the video processing so that its presence on the screen. Judd movement in the cinema can be mitigated in part by the transfer of 60p, but the final solution is a system that the removal of interpolazioneJudd tion without manipulation of the film, as the image quality. We want ceñadido as a user can select the next generation D-ILA home theater projectors. Jakönnen or do not want, but Dee option should be there.
Low-Source selection. Change the input source is a very slow process of these projectors. If the system is set up with everything that is from an AV receiver with an HDMI port, CE is not relevant. But if you have multiple sources to the projector, you can have a good time to get out a hand to the other. Complicated the problem is that there is no direct access to each source on remote control. Instead, the Enter key to move sequentially through the forced bi linkss something to be desired.
Incompatible remote. Our example is one of the lowest RS10 distance in relation to signal strength, we have seen, after some time. We were careful to point exactly to the screen to bounce for the projector to recognize, and sometimes gave us, and noted that the projector. This is a disadvantage that dieseIch have calidadno projector.
Because of the color. The high gloss, Jet Black is beautiful, no doubt. It's a schOene projector. But many people that the roof of their proiettoreun ceiling instead blancheprojecteur on a white background to ensure their visibility in the room. This article shows. At these prices, you can paint, if there is a special note.
Overall Rating
JVC RS10 and RS20 are home theater video 1080p projectors grade discrimination wCon po 'more money to spend. This offers the best image quality for a projector under 10,000 U.S. Dollar today. The only consequence is the lacklen a dinterpolation system. Of course, these are the new technologies, and many video grade not consider it important, at least so far. For buyers, we can not think any other characteristic or attribute that is missing is a cause for concern. The slow passage of entry and the remote control, deschwacher signal strength molestiass we can live. If you have the money and passion of excellence vidéoeo, JVC models are hard to beat. The first,ends with an image that is as close to a CRT display high-definition, as we have seen a digital projector anywhere in this price class. And the serious video Phil, everything valuable.
Choose between the RS10 and RS20 is a question of personal finances. For those who have money and want the best, which is cer RS20. For those who want to pay a high contrast primapara, like a picture that you do not want to pay an additional $ 2500for the increase, the RS10 is the best option. However, the final result will be a very serious problem in his home theater.
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